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KHADIM ALI
Born 1978, Quetta, Pakistan.
Lives and works in Sydney, Australia.
Born of Afghan Hazara parentage, Khadim Ali grew up on the Pakistan/Afghanistan border. His parents hoped to one day return to their family lands in Bamiyan, Afghanistan. As a child, Ali was deeply influenced by his grandfather, a Shahnameh singer, and by the miniature paintings that illustrated the stories of the Shahnameh, a tenth-century epic poem. Ali studied miniature painting at the National College of Arts, Lahore and calligraphy at Tehran University, Iran. The artist’s intricate works encompass imagery from history, politics, literature, poetry and mythology to explore contemporary events such as the civil war in Afghanistan and personal experiences of persecution, displacement and discrimination.
Khadim Ali was born in 1978 in Quetta, Pakistan. His family, belonging to the Hazara minority, fled Afghanistan to escape Taliban persecution. From 1998–99, he studied mural painting and calligraphy in Tehran, Iran. He earned a BFA at the National College of Arts, Lahore, Pakistan (2003), where he studied traditional miniature painting. He completed artist residencies in Japan through the Fukuoka Asian Art Museum (2006) and Arts Initiative Tokyo (2007). Ali moved to Sydney in 2010 and earned an MFA at the College of Fine Arts, University of New South Wales (2012). In 2012, Ali presented five paintings at Documenta 13, including one at the quinquennial’s first presentation in Kabul. His works were featured along with Imran Qureshi’s in the Iran, Afghanistan, and Pakistan Pavilion at the 2009 Venice Biennale. Ali organized and participated in The Haunted Lotus: Contemporary Art from Kabul, Cross Art Projects (2010), and The Force of Forgetting, Lismore Regional Gallery, Australia (2011). His work was included in Future: Afghanistan, Gemak, The Hague, Netherlands (2008); Living Traditions, Queen’s Palace, Kabul (2008), and National Art Gallery, Islamabad, Pakistan (2009); Safavids Revisited, British Museum, London (2009); Only from the Heart Can You Touch the Sky, RMIT Gallery, Melbourne (2012); and Home Again—10 Artists Who Have Experienced Japan, Hara Museum of Contemporary Art, Tokyo (2012). Ali lives and works in Sydney, Quetta, and Kabul.
Khadim Ali, Birth of Demons 8, 2024, Embroidered silk, 113 x 126 in (287 x 320 cm)
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Khadim Ali, Birth of Demons 7, 2024, Embroidered silk, 101 x 121 in (256.5 x 307 cm)
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Khadim Ali, Birth of Demons 1, 2019, Gouache and gold leaf on handmade paper, 38.6 x 44.5 in (98 x 113 cm)
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Khadim Ali, Birth of Demons 2, 2024, Gouache and gold leaf on handmade paper, 38 x 55 in (96.5 x 140 cm)
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Khadim Ali, Birth of Demons 5, 2024, Gouache and gold leaf on handmade paper, 28 x 22 in (71 x 55.9 cm)
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Khadim Ali, Birth of Demons 3, 2024, Gouache and gold leaf on handmade paper, 22 x 28 in (55.9 x 71 cm)
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Khadim Ali and Sher Ali, It Was Not Like This Ever, 2020, Gouache, ink and gold leaf on paper, 45.5 x 45.5 in
Khadim Ali, What Now My Friend?, 2020, Fabric tapestry, 309.5 x 96 in
Khadim Ali, That Is How It Was, 2020, Fabric tapestry, 124.5 x 165.25 in
Khadim Ali, The Elixir Never Worked, 2020, Fabric tapestry, 89.75 x 57 in
Khadim Ali, Tell Us, You Tell Us, 2020, Hand-woven wool rug, 112.5 x 79.5 in
Khadim Ali, The Other Gods IV, 2020, Inkjet print on Hahnmule paper, 30 x 21.5 in, Edition of 3
Khadim Ali, Those Gods I, 2020, Inkjet print on Hahnmule paper, 30 x 24.5 in, Edition of 3
Khadim Ali, Those Gods II, 2020, Inkjet print on Hahnmule paper, 30 x 22.75 in, Edition of 3
Khadim Ali, Those Gods III, 2020, Inkjet print on Hahnmule paper, 21 x 30 in, Edition of 3
Qatar Museums has opened MANZAR: Art and Architecture from Pakistan 1940s to Today, a first-of-its-kind exhibition commemorating the diverse work of painters, photographers and architects who have shaped the narratives, histories, and contemporary perspectives of Pakistan’s cultures since the 1940s.
This week in Newly Reviewed, Jillian Steinhauer covers Maria Prymachenko’s allegorical paintings, Khadim Ali’s imagined creatures and Jody Wood’s “Social Pharmacy.”
They have been knifed, disguised and abandoned, and now three towering tapestries successfully smuggled out of Afghanistan as the Taliban took over are on display in New Plymouth.
As compared to the previous year, 2021 allowed art to stage a comeback with shows and exhibitions.
What Now My Friend?, curated by Salima Hashmi at Aicon Gallery, New York (December 17–January 23) denotes the perpetual saga of strife between the oppressors and the oppressed.