Skip to content
AtfixDaily Artwire | Iridescent Sculpture Installations, Ambiguous Ceramic Forms On View In New Exhibitions at Hunterdon Art Museum

Drawing on her multinational background and personal history as an immigrant, Rina Banerjee’s work focuses on ethnicity, race, migration, and American Diasporic histories. The artist’s sculptures feature a wide range of globally sourced materials, textiles, colonial/historical and domestic objects while her drawings are inspired by Indian miniature and Chinese silk paintings, and Aztec drawings.

Rina Banerjee is an Indian-American artist and sculptor. She was born in Kolkata, India, and lived briefly in Manchester and London before arriving in Queens, N.Y.. Although Banerjee has been living in the United States for over 50 years, she still draws the perception that she is foreign and other. Countless audiences have been introduced to her vibrant, cacophonous paintings, drawings, and installations with exhibitions in France, Japan, Singapore, Norway, Italy, India, and New Zealand, to mention a few. 

Maxwell Mustardo’s unconventional approach to ceramics can be found in the title of his show, “Dish-oriented,” as well as in the work itself. Leaving traditional glazes and forms to others, Mustardo’s work is truly his own.  Glorious colors, bubbled glazes, and anthropomorphic forms create a dazzling array of pieces that exploit unctuous ambiguities to generate an empathetic and autotelic encounter of the work.

According to Mustardo, he approaches making as a vital opportunity to examine perception and signification, and his work engages with ceramics as a polyphonic medium: one that speaks in multiple voices simultaneously. 

“By working within simple constraints, such as the format of the mug, vase, or torus, I explore orchestrating elements of surface, form, materiality, and function,” says Mustardo. “Many projects revolve around broad, reverential notions of the vessel, the body, and language. Attempts are made to continually dissect processes, revisit forms, and reframe themes to agitate evolution and antagonize static thinking.”

Mustardo was born in 1993 in rural New Jersey. He received his Bachelor of Fine Arts and Bachelor of Science in Art History and Theory from the New York State College of Ceramics at Alfred University in 2017. During his time at Alfred, Max earned multiple awards that include an ARGUS grant for materials research, a Levine Endowment grant to study in Japan, and a nomination for the Thayer Fellowship in the Arts/Patricia Kerr Ross Award as the SUNY finalist in the visual arts category. He is currently working as a resident artist at the studio of Toshiko Takaezu in Quakertown, New Jersey. He was recently named a 2022 Emerging Artist by Ceramics Monthly.

Learn more about these and other upcoming exhibitions at